Liam Everett
The primary motivation I have in making this kind of work is
to set up some kind of immediate (hyper-present) relationship with
the now and/or present (and for that matter everything that comes with it, ie
people places things etc.) I do this as Im attracted to the foreign or
un-explained..., the phenomenological. And nothing is more foreign in my
humble opinion than the vastness of the "now".
solo exhibitions
2009 White Columns, New York, NY (curated by Matthew Higgs)
2009 On The Wall, 179 Canal St., New York, NY
2009 The Disappearance of Tal Ben-Yaccov, Hunter Time Square Gallery, New York, NY
2008 Geoffrey Young Gallery, Great Barrington, MA
2007 Cynthia Broan Gallery, New York, NY (curated by Michael St. John)
2006 Yoshiko Matsumoto Gallery, Amsterdam, Netherland
2005 5. Bremer Kunstfruhling, Bremen, Germany (curated by Boris Nieslony)
2003 Künstler Haus Bremen, Bremen, Germany
2003 Francine Seders Gallery, Seattle, WA








