Almond Zigmund

Studio Building
Studio Interior
Javascript is required to view this map.
Studio Location
Plane Suite, 2010, University of La Verne, La Verne, CA
Plane Study I, 2010
Remembering the Future, 2007, Parrish Art Museum, Southampton, NY
Gold Planes, 2007, 36 x 52, flocking on hand cut paper
Hex Plane, 2007, vinyl on glass, Las Vegas Museum of Art
Artist's Statement

My work is an exploration of tension, gesture, form and space and volume. I create installations using patterns, shapes, and color that I have culled from various sources that speak of a re-negotiated relationship of viewer to object and plane, a kind of stage set for a dance between image, object, environment and participant.
By playing with perspective and manipulating the tension between flat color and form and the implied three dimensional illusion I am able to create a space which is complex yet simple, a space that is defined by our reactions, by the visceral connection to basic principles of the art object: form color, line, space. By using simple geometry I renegotiate the relationship between the perceived and the actual, by shifting our body’s sense of equilibrium and challenging our perceptions of the way we believe things to be.


Almond Zigmund was born in California, raised in Brooklyn, and now lives in East Hampton, NY. received an undergraduate degree from Parsons School of Design in NY and Paris and an MFA from the University of Nevada Las Vegas.

Almond’s work has been exhibited internationally including shows at the Parrish Art Museum in Southampton, NY, the Las Vegas Art Museum, the Laguna Art Museum, and the New Museum in New York City. Her work has been written about in Art in America, Flash Art, The Art Newspaper, and the Los Angeles Times, among others.

She has twice been awarded an Angel Fellowship for residency at the Vermont Studio Center. She received a Jackpot Grant from the Nevada State Council for the arts in 2000. She was nominated for a Tiffany Grant in 2005, and in 2007 she was awarded a two-month residency at the Santa Fe Art Institute made possible by a fellowship from the Joan Mitchell Foundation.