Mike Kelley

October 13, 2013–February 2, 2014

EXTENDED WEEKEND HOURS:
Friday, January 31, 12:00 PM–6:00 PM
Saturday, February 1, 12:00 PM–9:00 PM
Sunday, February 2, 12:00 PM–6:00 PM
CLOSING FEBRUARY 2

MoMA PS1 presents Mike Kelley, the largest exhibition of the artist’s work to-date and the first comprehensive survey since 1993. Regarded as one of the most influential artists of our time, Mike Kelley (1954–2012) produced a body of deeply innovative work mining American popular culture and both modernist and alternative traditions—which he set in relation to relentless self- and social examinations, both dark and delirious. Bringing together over 200 works, from early pieces made during the 1970s through 2012, the exhibition occupies the entire museum. This exhibition marks the biggest exhibition MoMA PS1 has ever organized since its inceptual Rooms exhibition in 1976.

Born in Detroit, Kelley lived and worked in Los Angeles from the mid-1970s until his tragic death last year at the age of 57. Over his thirty-five year career, he worked in every conceivable medium—drawings on paper, sculpture, performances, music, video, photography, and painting. Speaking of his early work and artistic concerns at large, Kelley had said, “My entrance into the art world was through the counter-culture, where it was common practice to lift material from mass culture and ‘pervert’ it to reverse or alter its meaning… Mass culture is scrutinized to discover what is hidden, repressed, within it.” Through his art, Kelley explored themes as diverse as American class relations, sexuality, repressed memory, systems of religion and transcendence, and post-punk politics. He brought to these subjects both incisive critique and abundant, self-deprecating humor.

Kelley’s work did not develop along a purely linear trajectory. Instead, he returned time and again to certain underlying themes—the shapes lurking underneath the carpet, as it were—including repressed memories, disjunctions between selfhood and social structures as well as fault lines between the sacred and the profane. The work Kelley produced throughout his life was marked by his extraordinary powers of critical reflection, relentless self-examination, and a creative—and surprising—repurposing of ideas and materials.

Please be advised the Mike Kelley exhibition contains mature content.

  • Mike Kelley. Deodorized Central Mass with Satellites. 1991/1999. Plush toys sewn over wood and wire frames with styrofoam packing material, nylon rope, pulleys, steel hardware and hanging plates, fiberglass, car paint, and disinfectant. Overall dimensions variable. (c) Estate of Mike Kelley.  Images courtesy of Perry Rubenstein Gallery, Los Angeles. Photography: Joshua White/JWPictures.com.

  • Mike Kelley. Mike Kelley as the Banana Man. 1981. © Estate of Mike Kelley. All rights reserved. Courtesy Mike Kelley Foundation for the Arts. Photo: Jim McHugh.

  • Mike Kelley. John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968–1972, Wayne/Westland Eagle). 2001. Installed in Mike Kelley at MoMA PS1, 2013. © MoMA PS1; Photo: Matthew Septimus.

  • Mike Kelley. Wayne, MI (US), 1954 - South Pasadena, CA (US), 2012 More Love Hours Than Can Ever Be Repaid and The Wages Of Sin. 1987. © Whitney Museum of American Art, New York. Photo: Courtesy Mike Kelley Foundation for the Arts.

  • Mike Kelley. Day is Done. 2005-06. Installation view in Mike Kelley at MoMA PS1, 2013. © 2013 MoMA PS1; Photo Matthew Septimus.

  • Mike Kelley. Day is Done. 2005-06. Installation view in Mike Kelley at MoMA PS1, 2013. © 2013 MoMA PS1; Photo Matthew Septimus.

 

LIVE PROGRAM


Mike Kelley is organized by the Stedelijk Museum, Amsterdam.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam;
in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1. Curator of the first exhibition concept is Dr. Eva Meyer-Hermann.

The music and performance portion of the program is organized by guest curator Mark Beasley, with Jenny Schlenzka, Associate Curator, and Eliza Ryan, Assistant Curator, MoMA PS1.

The presentation at MoMA PS1 is made possible by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.

Major support is provided by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions, LUMA Foundation, and by Jerry I. Speyer and Katherine G. Farley.

Additional funding is provided by the Rennie Collection, Ringier Collection, and The Junior Associates of The Museum of Modern Art.